At the 21st Grammy Awards in 1979, Saturday Night Fever (The Original Movie Soundtrack) was named Album of the Year. The album's featured group, the Bee Gees, received the award for Best Pop Vocal Performance by a Duo or Group. By the end of 1979, the disco industry was estimated to be worth more than $4 billion, that meant that it was generating more money than the movie industry, television or professional sports. It was so big that The National Academy of Recording Arts and Sciences added Disco as its own category for the 22nd Grammy Awards. Nominated works for the award included "Boogie Wonderland" by Earth, Wind & Fire, "I Will Survive" by Gloria Gaynor, "Don't Stop 'til You Get Enough" by Michael Jackson, "Da Ya Think I'm Sexy? by Rod Stewart, and "Bad Girls" by Donna Summer.
An anti-disco sentiment had been building for sometime however. By early '79 this sentiment was witnessed in the "disco sucks" and "death to disco" T-shirts and graffiti seen around the towns and cities of the USA. Rock fans were particularly fed up with watching one "Rock" act after another fall to Disco's influence, from the Rolling Stones to Rod Stewart to David Bowie to Kiss
The anti-Disco movement hit critical mass on the night of July 12, 1979 (just weeks after Newsweek had declared that Disco had "taken over" the music industry) when a promotional event called Disco Demolition Night was held at Chicago's Comiskey Park. It took place during the intermission of a double header where a young local radio disc jockey named Steve Dahl set ablaze a bin full of disco records and thereby ignited complete mayhem. The Chicago Police were called in with riot gear as 50,000 rioters took over the field, the ball park and an entire city block, forcing the Chicago White Sox to forfeit the second game of the double header. An excellent discription of the Disco Demolition at Comisky Park is given in Josh Wilker's book Cardboard Gods, where he writes:
“That night, in Chicago, the sky had rained flat black discs and lit M-80s. By the late innings, the visiting Detroit Tigers outfielders were wearing batting helmets in the outfield. A vendor reported selling forty-nine cases of beer, more than double the number he’d sold on any single night in his many years on the job. Smoldering bongs were passed from hand to hand like change for a hot dog, giant glossy airplanes made of promotional posters featuring a sultry blonde model known only as Lorelei swooped and dove amid the hail of explosives and Frisbeed LPs and 45s, and inebriated throngs in the parking lot jumped up and down on cars and set fire to white-suited John Travolta dolls and searched for illegal entry into the slightly more focused mayhem inside the packed stadium. As game one of the scheduled doubleheader progressed, this search gained urgency, for between games a local 24-year-old disc jocky named Steve Dahl and the aforementioned Lorelei were going to detonate a mountain of disco records.
Almost immediately after this detonation, a stream and then a gushing wave of longhaired attendees flowed onto the playing field…The revolution, the pointless, hysterical revolution, had come. Some lit bonfires in the outfield. Some wheeled the batting cage around like it was a stalled car that needed a running start. Some performed hook slides and headfirst Pete Rose plunges into where the bases would have been if they hadn’t already been ripped from the ground and stuffed between giggling rib cages and the fabric of Led Zeppelin and Aerosmith T-shirts. More than one person reported seeing couples fornicating…”
The Disco Demolition garnered national headlines that seemed to unleash a backlash against Disco. Public support for disco music faded alarmingly fast. At the time of the Disco Demolition (July 21, 1979) the top six records on the U.S. music charts were disco songs. By September 22, just two months later, there was not a single disco song in the U.S. Top 10 chart. Within months the National Academy of Recording Arts and Sciences (that had just added Disco as it own category) reversed itself and eliminated the award category all together. Disco was officially pronounced dead and July 12, 1979 has forever since been known as "the day disco died".